• Death Of Black Jack Randall Outlander
• Battle Of Culloden 1746

That leaves his way clear to die a heroic (if unnecessary) death among his countrymen, knowing the defeat that awaits them thanks to Charles Stuart's hubris. But even after one final, bloody, surreal showdown with Black Jack Randall, death refuses to come for our noble hero.

Outlander (published in the United Kingdom as Cross Stitch) is the first in a series of eight historical multi-genre novels by Diana Gabaldon. Published in 1991, it focuses on the Second World War-era nurse Claire Randall, who travels through time to 18th century Scotland and finds adventure and romance with the dashing Jamie Fraser. A mix of several genres, the Outlander series has elements of historical fiction, romance, adventure and science fiction/fantasy. With 25 million copies sold, Outlander is one of the best-selling book series of all time. Outlander won the Romance Writers of America's RITA Award for Best Romance of 1991. A television adaptation of the Outlander series premiered on Starz in the US on August 9, 2014.

Plot summary[edit]

In 1946, after working apart during the Second World War, British Army nurse Claire Randall and her husband Frank Randall, a history professor, go on a second honeymoon to Inverness, Scotland. Frank conducts research into his family history and Claire goes plant-gathering near standing stones on the hill of Craigh na Dun. Investigating a buzzing noise near the stones, she touches one and faints; upon waking, she encounters Frank's ancestor, Captain Jack Randall. Before Captain Randall can attack her, he is knocked unconscious by a highlander who takes Claire to his clansmen. As the Scots inexpertly attend their injured comrade Jamie, Claire uses her medical skill to set Jamie's dislocated shoulder. The men identify themselves as members of Clan MacKenzie, and Claire eventually concludes that she has traveled into the past. She represents herself as an English widow who is traveling to France to see her family. The Scots do not believe her and take her to Castle Leoch, where Claire searches for a way to return to her own time.

The highlanders of 1743 see Claire as a 'Sassenach', or 'Outlander', ignorant of Gaelic culture. Her medical skills eventually earn their respect; but the clan chieftain, Colum MacKenzie, suspects her of being an English spy. Colum sends her with his brother, Dougal, to collect rents; on the way he also solicits donations for the Jacobites, overseen by Ned Gowan, a lawyer from Edinburgh who is working for the Clan.

When chance again brings her to his attention, Captain Randall tells Dougal to bring Claire to him for questioning. There is suspicion that she is perhaps an English spy. To keep Claire from Randall, Dougal has her wed Jamie, which makes her a Scottish citizen. Torn between her attachment to Jamie and the thought of Frank, Claire tries to return to Craigh na Dun. However, she is captured by Randall's men, requiring Jamie to rescue her. Upon returning to Castle Leoch, Claire continues acting as the official healer, and befriends Geillis Duncan, the wife of a local official, who shares a knowledge of medicine. Eventually Claire and Geillis are charged with witchcraft while Jamie is away, but Jamie returns in time to save Claire. While imprisoned with Geillis, Claire learns that Geillis is part of the plot to restore King James to the Scottish throne along with Dougal and that she is also pregnant with his child. Just before their escape, Claire realizes that Geillis is, like herself, from the future, when she sees a smallpox vaccine scar on her arm. Geillis also sees Claire's scar.

Claire tells Jamie her real story, and he takes her to Craigh na Dun. When he offers her the chance to stay or go, she decides to stay. Jamie takes her to his home of Lallybroch, where they meet Jamie's sister Jenny and her husband, Ian. Though Jamie is still a fugitive from the British, he reclaims his position as Laird of Lallybroch, until one of his tenants betrays him and he is taken to Wentworth Prison. Claire and the MacKenzie clansmen attempt to rescue him, but they fail, and Claire is captured by Randall, who threatens to have her raped. Jamie offers himself in Claire's place, and Randall frees Claire into the woods. Claire tells Randall that she is a witch and tells him the exact day of his death, which she knows from Frank's family history. Thereafter Claire is befriended by Sir Marcus MacRannoch, a former suitor of Jamie's mother. While MacRannoch's men distract Wentworth's guards, the clansmen drive a herd of cattle through the underground halls, trampling a man. They rescue Jamie, who has been assaulted physically and sexually by Randall, and take him to MacRannoch's stronghold, where Claire tends Jamie's wounds. As soon as Jamie is able, they and Jamie's godfather, Murtagh, escape to Saint Anne de Beaupre's monastery in France, where another of Jamie's uncles is abbot. As she and Jamie emerge from a sacred hot spring under the Abbey, Claire reveals that she is pregnant.^[2]

Main characters[edit]

• Claire Beauchamp Randall Fraser: A warm, practical and independent former combat nurse who inadvertently travels back in time to the Scottish Highlands in the mid-18th century. Though married to Frank Randall in the 20th century, she falls for Jamie Fraser in the 18th century. A gifted natural physician and an amateur botanist, Claire is an only child and orphan, raised by her archaeologist uncle.
• James 'Jamie' MacKenzie Fraser (aka Jamie MacTavish): A strapping young Scottish redhead with a complicated past and disarming sense of humor. Jamie is intelligent, principled, and, by 18th century standards, educated and worldly. He picks up languages very easily, and after initial conflict he falls in love with the mysterious Claire. Though he does not always know what she is doing, Jamie usually trusts Claire.
• Frank Wolverton Randall: Claire's husband in the 20th century and a history professor with a deep interest in his genealogy and heritage. He worked for MI6 during the Second World War as an intelligence agent.
• Jonathan Randall (aka 'Black Jack' Randall): The primary villain of the story and Frank Randall's ancestor, a British army officer. According to Jamie, the “Black” refers to the color of his soul. Jack physically resembles his descendant Frank, but has a sadistic sexual obsession with Jamie.
• Callum (Colum) MacKenzie: Chief of the MacKenzie clan and Jamie's maternal uncle, who shelters Jamie and Claire from the English. He suffers from Toulouse-Lautrec Syndrome.
• Dougal MacKenzie: Callum's younger Jacobite brother, who leads the clan in battle because his older brother is disabled. It is hinted that he might be the biological father of Callum's son, Hamish. He also took Jamie as a foster son for a time as a teen. Dougal has four daughters with his wife, and a son with Geillis Duncan.
• Geillis/Geilie Duncan: The wife of the procurator fiscal, who believes that she is a witch, and has knowledge of herbs and plants. Geillis is pregnant with Dougal MacKenzie’s child when imprisoned for witchcraft, which wins her a brief reprieve of her death sentence. She murders her husband, Arthur Duncan. Ultimately Claire realizes that she is a time-traveler from the 1960s.
• Murtagh Fitzgibbons Fraser: Jamie's godfather, who is taciturn, quiet and brave, and very loyal to Jamie, whom he cares for as a son. At first he does not accept Claire, but changes his mind when he sees how much Jamie loves her.
• Laoghaire MacKenzie: A young girl of sixteen who is attracted to Jamie. She sends Claire to Geillis Duncan just prior to the witch trial because she 'loves' Jamie and wants him back.

Development and inspiration[edit]

Diana Gabaldon planned to write a historical novel 'for practice', but did not have a specific setting in mind until she happened to watch The War Games, a classic Doctor Who serial, on PBS.^[3] Her eye was caught by the character Jamie McCrimmon, a young Scot from 1745 played by actor Frazer Hines.^[3] The image of the young man in the kilt stayed with her, and she decided to set her novel in 18th century Scotland.^[3] She named her male protagonist 'Jamie' after the Doctor Who character (however, the surname 'Fraser' was not taken from actor Frazer Hines, since the PBS station cut off the programme's credits).^[3]

Gabaldon's initial plan was to write a 'straight historical novel', but as she began to write the character of Claire, she says the character 'promptly took over the story and began telling it herself, making smart-ass modern remarks about everything.'^[4] Gabaldon decided to make the character a modern woman and determine how she came to be in 18th century Scotland later.^[4]

Gabaldon acknowledged a date discrepancy between the American version of the novel, the plot of which begins in 1945, and the British version, which begins in 1946.^[5] She explained, 'Reay Tannahill, a Scot who kindly proofread the novel before it was published in the UK, said that 1946 would have been a more accurate representation of conditions as I described them in Scotland.'^[5] Gabaldon was able to rework all of the dates for the UK edition, but the American version was too far along in production to change.^[5]

Reception and awards[edit]

Publishers Weekly said of Outlander, 'Absorbing and heartwarming, this first novel lavishly evokes the land and lore of Scotland, quickening both with realistic characters and a feisty, likable heroine.'^[6] With 25 million copies sold,Outlander is one of the best-selling book series of all time.^[7] The novel won the Romance Writers of America's RITA Award for Best Romance of 1991.^[8]

Television series[edit]

In June 2013, Starz ordered 16 episodes of a television adaptation, and production began in October 2013 in Scotland.^[9] The series premiered in the US on August 9, 2014.^[10] It was picked up for a second season on August 15, 2014,^[11] and for a third and fourth season on June 1, 2016.^[12] On May 9, 2018, Starz renewed the series for a fifth and sixth season.^[13]

Other adaptations[edit]

In 2010 Gabaldon adapted the first third of Outlander into The Exile: An Outlander Graphic Novel, illustrated by Hoang Nguyen.^[14][15][16] The same year, a 14-song cycle based on Outlander was released under the title Outlander: The Musical.^[17][18][19]

References[edit]

1. ^Reese, Jennifer (November 27, 2007). 'Book Review: Lord John and the Hand of Devils (2007)'. Entertainment Weekly. Retrieved October 30, 2013.
2. ^Gabaldon, Diana (1991). Outlander. New York: Dell. ISBN0-440-21256-1.
3. ^ ^abcdGabaldon, Diana. 'FAQ: About the Books: Scotland'. DianaGabaldon.com. Retrieved April 27, 2017.
4. ^ ^abGabaldon, Diana. 'FAQ: About the Books: Idea'. DianaGabaldon.com. Retrieved April 27, 2017.
5. ^ ^abcGabaldon, Diana. 'FAQ: About the Books: Discrepancy'. DianaGabaldon.com. Retrieved April 27, 2017.
6. ^'Fiction Book Review: Outlander by Diana Gabaldon'. PublishersWeekly.com. June 3, 1991. Retrieved November 23, 2013.
7. ^Hughes, Sarah (August 24, 2014). 'Outlander: Is this the new Game of Thrones?'. The Independent. Archived from the original on August 15, 2017.
8. ^'RITA Awards: Past Winners'. Romance Writers of America. Retrieved October 31, 2013.
9. ^Andreeva, Nellie (June 1, 2013). 'Outlander Greenlighted To Series By Starz'. Deadline Hollywood. Retrieved July 31, 2014.
10. ^Ng, Philiana (May 8, 2014). 'Starz's Outlander Gets First Poster, Premiere Date'. The Hollywood Reporter. Retrieved June 14, 2014.
11. ^Hibberd, James (August 15, 2014). 'Outlander renewed for second season'. Entertainment Weekly. Retrieved August 15, 2014.
12. ^Prudom, Laura (June 1, 2016). 'Outlander Renewed for Seasons 3 and 4'. Variety. Retrieved June 1, 2016.
13. ^Roots, Kimberly (May 9, 2018). 'Outlander Renewed for Seasons 5 and 6, Plus: See First Season 4 Photos'. TVLine. Retrieved May 9, 2018.
14. ^Brienza, Casey (September 21, 2010). 'The Exile: An Outlander Graphic Novel'. GraphicNovelReporter.com. Retrieved September 16, 2014.
15. ^'Fiction Book Review: The Exile: An Outlander Graphic Novel'. Publishers Weekly. August 23, 2010. Retrieved September 16, 2014.
16. ^'Official site: The Exile (graphic novel)'. DianaGabaldon.com. Retrieved September 16, 2014.
17. ^'PROGRESS! OUTLANDER:The Musical now on Amazon!'. DianaGabaldon.com. September 26, 2010. Retrieved July 30, 2014.
18. ^'Outlander the Musical'. DianaGabaldon.com. October 26, 2013. Retrieved July 30, 2014.
19. ^'Stage Tube: First Listen of Jill Santoriello's Outlander Musical'. BroadwayWorld.com. July 16, 2012. Retrieved July 30, 2014.

Death Of Black Jack Randall Outlander

External links[edit]

• 'An Outlander Family Tree (Official)'. Random House. 2014.

Spoiler warning: This recap contains plot details for Outlander Season 3, episode 1, titled 'The Battle Joined.'

Try as Jamie Fraser might, he just can't seem to die.

He enters the Battle of Culloden devastated by the reality of having to say goodbye to his wife and unborn child, but also assured of their safety, having sent them (and the rest of his Lallybroch men) out of harm's way before the battle begins.

That leaves his way clear to die a heroic (if unnecessary) death among his countrymen, knowing the defeat that awaits them thanks to Charles Stuart's hubris. But even after one final, bloody, surreal showdown with Black Jack Randall, death refuses to come for our noble hero.

SEE ALSO: 'Outlander' Season 3: 10 burning questions we have about Claire and Jamie's reunion

Sam Heughan tells Mashable that everyone — cast and crew — relished the opportunity to bring Culloden to life after two seasons of build-up: 'It was tough, it was very physical, but it had a really nice theme to it as well. Ron [Moore] wrote it and it's got this great reality in the flashbacks of the battle.'

The culmination of Jamie's conflict with Black Jack has been years in the making, and Tobias Menzies admits that he had no idea how they would achieve closure on the show's most complex relationship before they filmed it.

'I think as always with Jamie and Jack stuff, you're looking for a slightly unusual angle on it. Not just a straight up 'two guys go at it and one of them dies',' he says. 'I like the way it was built into this hallucinatory sequence of Jamie remembering fragments from the battle. It's buried in there. I liked that it was a strange kind of dance/fight/embrace. It felt in-keeping with what's come before. It's genuinely a hard relationship to tie up.'

It's agonizing to see Jamie so broken in the wake of the battle, especially since he has to watch the few Highland men who survived the fight then being executed by the British — including our beloved Rupert. (The only consolation is that we can imagine him being reunited with his partner in crime, Angus, in the afterlife. 😭😭😭)

But Jamie's small act of mercy last season — sparing the life of a young John William Grey when he came across the Scots' encampment and tried to assassinate Jamie — proves that no good deed goes unpunished, and instead of shooting Jamie with the rest of his men, John's older brother, Lord Melton, reluctantly ships him back to Lallybroch to recuperate.

'He realizes that he's survived and he doesn't want to so, the next episode, he's on the run, he's a rebel and an outlaw,' Heughan previews. 'He can't be Jamie Fraser and also doesn't want to be, because he's lost everything that he wants and has lived for.'

Back in the future, a pregnant Claire is trying to rebuild her life with her first husband, Frank, believing that Jamie died at Culloden.

Showrunner Ron Moore tells Mashable that while Jamie's story over the first few episodes is lifted pretty much directly from Diana Gabaldon's third book, Voyager, Claire's parallel journey required some consolidation, making for some of the biggest changes in the structure of the novel.

'Most of the Claire/Frank story was something we changed in the adaptation so that there would be two parallel stories going all the way through this,' he explains. 'That storyline was pretty much informed by bits and pieces of backstory and events that were referred to in different areas of different books so it wasn't really [created] from wholecloth so much it was all collated and put into this particular section.'

We already know that Frank and Claire's story doesn't end happily, just from seeing Claire's strained relationship with her daughter, Brianna, in the Season 2 finale, but Season 3 will fill in some of the blanks left by those 20 years.

'We said at the outset this is the dissolution of a marriage, each of them is going to try at the beginning — they are trying from very different positions — and each of them is going to try to make it work,' Moore says. 'Ultimately it is just going to come unraveled, and we kind of wanted to track that, the stages of that development.'

We see Claire struggling just as much as Jamie at first; she and Frank go through the motions of playing a happy family in Boston, but it's clear that Claire is trying to keep some distance between them, shying away every time Frank tries to touch her. During an explosive fight just before Claire goes into labor, Frank demands to know when Claire is going to come back from the past.

'What I loved about it was just that the writers really allowed it to be very complex,' Balfe explains. 'You wanted it to feel like there was hope there, especially in the beginning, that maybe they could make it work.'

'The danger is, you're just watching people having a terrible time in their marriage for three episodes,' Menzies agrees. 'I feel like with the scene in the hospital with the baby arriving, you get a moment like, 'Oh, maybe it can work.' The more moments you have like that, it makes it a bit more interesting.'

But adjusting to being with Frank and trying to mourn Jamie aren't Claire's only concerns — she's quickly finding that in many ways, 1940s Boston is just as repressive as 18th century Scotland; if anything, the men seem even more condescending, and she finds herself being mansplained to by both her husband's boss and the doctor who delivers her baby. (Even more enjoyable when you're in agony!)

But Claire has never been a victim, and despite her grief over Jamie, she's not the kind of woman to compromise herself to fit other people's expectations.

'The audience knows that Jamie didn't die, but Claire doesn't. And so if you have her never trying to move forward in her life, that's a very tragic character,' Balfe points out. 'I think part of Claire's DNA is that she's a survivor, and that she gets on with it. She may have put a side of herself to one side, but she does create a positive and productive life for herself, which I like about her.'

What's most effective about the episode — which gives us just enough of Culloden to really drive home the human cost of the battle, without being gratuitous — is that Moore and director Brendan Maher give breathing room (sometimes literally) to the emotion of our characters' journeys, without feeling the need to rush to the next plot point.

We're forced to lie there with Jamie in his agony, every breath a struggle, to really feel the weight of his grief. We see Claire in those quiet moments of frustration and loneliness; even when she's with Frank, or her nosy neighbor, we feel Jamie's absence as keenly as she does. Balfe, Heughan and Menzies do some of their finest work to date with these sparse scenes, imbuing Claire, Jamie and Frank with so much pain and conflict that they don't need to say a word.

We've still got a few episodes to wait before Claire and Jamie find their way back together, but it's clear that the journey won't be easy for either of them — or for us, watching them struggle without each other. We're gonna need more scotch. 💔

Outlander Season 3 airs Sundays at 8 p.m. on Starz.

Battle Of Culloden 1746

Watch: 'Outlander' Season 3 follows Claire and Jamie's heartbreaking parallel lives